Staging Shakespeare

Regular price
£26.99
Sale price
£26.99
Regular price
Sold out
Unit price
per 

Author: Kulick, Brian

Format: Paperback / softback

Pages: 232

Publication date:

Publisher: Bloomsbury Publishing PLC

For books the EU representative is usually the publisher or authorised agent. Contact details for EU representatives are provided within the book or its packaging. For most titles, this information is provided on the imprint page of the book.

If you have any questions regarding product safety or you need assistance in contacting the authorised EU representative for a book or play you have purchased, please contact us.

Details

by Brian Kulick

This book begins with a phone call. You answer it and learn that you got the job. Several months from now you're going to stage a Shakespeare play. Now … what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven't a clue as to what the play is really about, or what you might want to do with it? How exactly do you prepare for such an equally wonderful and daunting task?

This is the central question of this book. It grows out of decades of preparing for Shakespeare productions and watching others do the same. It will save you some of the panic, wasted time, and fruitless paths experienced. It guides you through the crucial period of preparation and helps focus on such issues as:

· What Shakespeare's life, work, and world can tell us
· What patterns to look for in the text
· What techniques might help unpack Shakespeare's verse
· What approaches might unlock certain hidden meanings
· What literary lenses might bring things into sharper focus
· What secondary sources might lead to a broader contextual understanding
· What thought experiments might aid in visualizing the play

Ultimately, this book draws back the curtain and shows how the antique machinery of Shakespeare's theatre works. The imaginative time span begins from the moment you learn that on such and such date you will begin rehearsing such and such Shakespeare play. Our narrative clock starts ticking the moment you put down the phone and stops when you arrive at the rehearsal hall and begin your first table read. So much of what will be the success or failure of a director's project rests on this work that is done before rehearsals even begin.