《梅休恩戏剧集:英国黑人作家剧作选集》

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细节

作者: 戈达德,莱内特(英国伦敦大学皇家霍洛威学院);马图拉,穆斯塔法(作者);凯,杰基

格式: Paperback / softback

页数: 496

发布日期:

发布者: 布鲁姆斯伯里出版有限公司

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9781408131244

细节

《梅休恩戏剧选集:英国黑人剧作家作品选》收录了六部塑造了英国黑人戏剧发展轨迹的关键剧作,堪称一部重要的选集,时间跨度从20世纪70年代末至今。本书记录了黑人剧团从专业剧团走向主流,最终在西区取得成功的历程,同时也为过去四十年间英国的文化和种族变迁提供了一面晴雨表。

影片以穆斯塔法·马图拉1979年的戏剧《欢迎回家,杰克》开场。 这部作品描绘了一群年轻的失业西印度群岛人,是最早探讨青年文化、身份认同以及种族和文化认同等议题的作品之一。杰基·凯的《明暗对比》(Chiaroscuro)审视了20世纪80年代英国关于黑人、混血儿和女同性恋身份认同的政治辩论;温索姆·平诺克的《说方言》(Talking in Tongues )创作于20世纪90年代,探讨了女权主义政治,并以此探讨了英国和牙买加黑人女性的身份认同问题。进入21世纪的第一个十年,这三部剧作包括罗伊·威廉姆斯的开创性酒吧剧《为小伙子们尽情歌唱》 (Sing Yer Hearts Out for the Lads) ,该剧以世界杯为背景,探讨了种族主义和身份认同问题;夸梅·奎-阿玛于2004年在国家剧院上演的剧作《修复》(Fix Up) ,讲述了现代英国黑人文化的历史和发展;以及博拉·阿格巴格2007年精彩的处女作《走得太远!》​​(Gone Too Far!)。该剧探讨了居住在英国的非洲人和加勒比人之间的身份认同问题和紧张关系。

这本由林内特·戈达德编辑的重要选集,为了解英国黑人戏剧近四十年的发展历程提供了重要的入门介绍。

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