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by Joe Penhall
Some Voices: 'The most thrilling playwriting debut in years...The writing is razor-sharp, sensitive, quietly eloquent, full of the touchingly drab poetry of lost lives' (Sunday Times)
Pale Horse: 'His second Court play is as compelling and extraordinary as his first ...as taut, tight and atmospheric as Macbeth' (Observer)
Love and Understanding: 'This is one of the best plays I've seen, ever, at this powerhouse of new writing ...tough, eloquent, bruising' (Sunday Times)
The Bullet: 'A Death of a Salesman for Britain in the nineties, and it is typical of Penhall's grace as a writer that it consciously echoes Arthur Miller while also emerging as an entirely distinctive work' (Daily Telegraph)
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